1 ICEBERG was released to critical acclaim, and Volume 2 is forthcoming. The first volume showcases Lin’s commissioning by ICEBERG New Music, a composer collective including a range of brilliant emerging composers. The results form both a series of solo recital programs and albums released by Sono Luminus. This experience has inspired the creation of her own commissioning initiative, The Etudes Project, in which she works with a range of living composers to create new technical piano etudes, pairing each new piece with an existing etude from the classical canon. She performed a recital of Philip Glass’s music for the Morris Museum – a continuation of a close collaboration with Glass, with whom she has appeared regularly since 2014. Olaf College at OKM Music in Oklahoma and as the featured pianist in Elliot Goldenthal’s original motion picture score for Julie Taymor’s film, The Glorias. Recent performances include dates for the Mostly Mozart Festival at “Angel’s Share” in the catacombs of Brooklyn’s Green-Wood Cemetery at St. She also released a number of new albums, including S imple Music with music by Giya Kancheli in partnership with accordionist Guy Klucevsek Liszt Harmonies poétiques et religieuses on the Steinway label with pianist Adam Tendler and a new recording featuring the complete vocal works of Artur Schnabel with contralto Sara Couden, a complement to Lin’s earlier album of the complete Schnabel piano works. In recent seasons, Lin has performances – both digital, and in person – for Washington Performing Arts at Hudson Hall performing the American premiere of William Bolcom’s Suite of Preludes at Boston Conservatory’s piano series at Little Island in NYC and at Winnipeg New Music Festival. In every performance, Jenny Lin places her considerable technical skills and her fierce intellect at the service of the composer’s intention, yielding results that win the loyalty and rapt attention of audiences and fellow artists alike. Born in Taiwan, raised in Austria, educated in Europe and America, Lin has built a vibrant international career, notable for innovative collaborations with a range of artists and creators. Pianist Jenny Lin is an artist of keen musicianship, brilliant technique, and a compelling perspective shaped by a deep fluency in global culture. She was recently appointed Executive Director of the Manchester Music Festival, effective Fall 2023 to begin overseeing its 50 th Anniversary Season. She resides with her family in New York City and serves on the faculty of the Mannes College The New School for Music. Her passion for education led her to create “Melody’s Mostly Musical Day,” a musical picture book for children told in classical piano pieces, which she developed into a multimedia concert that has toured the continent.įluent in English, German, Mandarin, and French, Lin holds a bachelor’s degree in German Literature from The Johns Hopkins University and studied music at the Hochschule für Musik, and at the Peabody Conservatory. Her discography numbers more than 50 recordings, ranging from the classic piano canon to modern milestones to Broadway songs. She is the featured pianist in Elliot Goldenthal’s original motion picture score for Julie Taymor’s film, The Glorias, and the central figure in Cooking for Jenny by Felix Cabez for Elemental Films, a musical documentary portraying her journey to Spain, among other media appearances such as CBS Sunday Morning, NPR’s Performance Today. Lin has a close affinity with Philip Glass, whose Etudes she performs globally, and which inspired her to embark on a commissioning initiative, The Etudes Project. Educated in Europe and the US, she has built an international reputation distinguished by inventive collaborations with a breadth of artists, and has performed widely with renowned orchestras and symphonies at the world’s most notable concert halls. At the age of four, with no piano at home, she began playing the instrument at her grandmother’s house. She was born in Taiwan, raised in Austria, and moved to New York, where she resides. The Washington Post has extolled her “confident fingers” and “spectacular technique,” while Gramophone has hailed her as “an exceptionally sensitive pianist.” Jenny Lin, a Steinway Artist, has made a name for herself on the world stage thanks to her “remarkable technical command” and “gift for melodic flow” ( New York Times).
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